Beck Center English Dept. University Libraries Emory University
Emory Women Writers Resource Project Collections:
Women's Genre Fiction Project

Faith and Unfaith, an electronic edition

by The Duchess [Hungerford, Mrs. (Margaret Wolfe Hamilton), 1855?-1897]

date: [1883]
source publisher: John W. Lovell Company
collection: Genre Fiction

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CHAPTER II.

"Her form was fresher than the morning rose
When the dew wets its leaves."
--THOMSON.

PULLINGHAM-ON-THE-MOORS is a small, untidy, picturesque little village, situated on the side of a hill. It boasts a railway-station, a police-barrack, a solitary hotel, and two or three well-sized shops. It is old-fashioned, stationary, and, as a rule, hopelessly harmless, though now and then, dissensions, based principally on religious grounds, will arise.

These can scarcely be avoided, as one-half of the parish trips lightly after Mr. Redmond, the vicar (who has a subdued passion for wax candles, and a craving for floral decorations), and looks with scorn upon the other half, as, with solemn step and slow, it descends the high hill that leads, each Sabbath, to the "Methody" Chapel beneath.

It never grows older, this village, and never younger; is seldom cast down or elated, surprised or demonstrative, about anything. In a quaint, sleepy fashion, it has its dissipations, and acknowledges its festive seasons,--such | | 16 as Christmas-tide when all the shops burst into a general bloom of colored cards, and February, when valentine adorn every pane. It has also its fair days, when fat cattle and lean sugar-sticks seem to be everywhere.

A marriage is reckoned an event, and causes some gossip: a birth does not,--possibly because of the fact that it is a weekly occurrence. Indeed, the babies in Pullingham arc a "joy forever." They have their season all the year round, and never by any chance "go out;" though I have heard people very foolishly liken them to flowers. They grow, and thrive, and blossom all over the place, which no doubt is greatly to the credit of the inhabitants. Occasionally, too, some one is good enough to cause a little pleasurable excitement by dying, but very seldom, as the place is fatally healthy, and people live here until they become a social nuisance and almost wish themselves dead. There is, I believe, some legend belonging to the country, about an old woman who had to be shot, so aggressively old did she become; but this is obscure.

About two miles from the town one comes to Sartoris, the residence of Dorian Branscombe, which runs in a line with the lands of Scrope Royal, the property of Sir James Scrope.

Sir James is a tall, rather old-young man of thirty-two, with a calm, expressive face, kindly eyes, and a somewhat lanky figure. He has a heart of gold, a fine estate, and a step-sister.

Miss Jemima Scrope is not as nice as she might be. She has a face as hard as her manners, and, though considerably over forty, is neither fat nor fair. She has a perfect talent for making herself obnoxious to all unhappy enough to come within her reach, a temper like "Kate the Curst," and a nose like the Duke of Wellington.

Somewhere to the left, on a hill as high and pompous as itself, stands the castle, where three months out of the twelve the Duke and Duchess of Spendleton, and some of their family, put in a dreary time. They give two balls, one fancy bazaar, a private concert, and three garden-parties--neither more nor less--every year. Nobody likes them very much, because nobody knows them. Nobody dislikes them very much, for just the same reason.

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The castle is beautifully situated, and is correct in every detail. There are Queen Anne rooms, and Gothic apartments, and Elizabethan anterooms, and staircases of the most vague. There are secret passages, and panels, and sliding doors, and trap-doors, and, in fact, every sort of door you could mention, and all other abominations. Artists revel in it, and grow frenzied with joy over its impossibilities, and almost every year some room is painted from it and sent to the Academy. But outside lies its chief beauty, for there are the swelling woods, and the glimpse of the far-off ocean as it gleams, now green, now steel-blue, beneath the rays of the setting sun. And beyond it is Gowran, where Clarissa lives with her father, George Peyton.

Clarissa is all that is charming. She is tall, slight, svelte: indeed, earth has not anything to show more fair. She is tender, too, and true, and very earnest,--perhaps a degree too earnest, too intense, for every-day life. Her eyes, "twin stars of beauty," are deep and gray; her hair is dark; her mouth, though somewhat large, is perfect; and her smile is indescribable, so sweet it is, so soft and lingering.

Her mother died when she was nine years old, and from that time until she was twelve she spent most of her life with the Branscombe boys,--riding, fishing, sometimes even shooting, with them. The effect of such training began to make itself felt. She was fast degenerating into a tom-boy of the first water (indeed, one of the purest gems of its kind), when James Scrope, who even then was a serious young man, came to the rescue, and induced her father to send her from Gowran to a school at Brussels.

"Virtue is its own reward," they tell us: let us hope Scrope felt rewarded! Whether he did or not, I know he was considerably frightened when Clarissa (having discovered who had been the instigator of this "plot" o drive her from her beloved Gowran) came down to Scrope Hall, and, dashing into his presence like a small whirlwind, abused him for his well-meant interference in good round terms, and, having refused even to say good-by to him, had slammed the door in his face, and, starting from home next morning, had seen no more of him for six long years.

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At seventeen, her aunt, the Hon. Mrs. Greville, had brought her back from Brussels to her own house in town, where she kept her for twelve months, and where she once more renewed acquaintance with her old friends, Dorian and Horace Branscombe. Mrs. Greville took her to all the most desirable balls of her season, to concerts and "small and earlier," to high-art entertainments of the most "too, too," and, having given her free scope to break the hearts of half the men in town, had sent her at last to her father, hopelessly in love with a detrimental.

The detrimental was Horace Branscombe. Mrs. Greville was intensely annoyed and disgusted. After all her care, all her trouble, to have this happen! She had married her own girls with the greatest éclat, had not made one false move with regard to any of them, and now to see Clarissa (who, with her beauty and fortune, might have married any one) throw herself away upon a penniless barrister seemed to her to savor of positive crime.

Horace, certainly, so far, had not proposed in form, but Mrs. Greville was not to be hoodwinked. He meant it. He was not always at her niece's side for nothing; and, sooner or later, Clarissa, with all her money, would go over to him. When she thought of this shocking waste of money, she groaned aloud; and then she washed her hands of the whole affair, and sent Clarissa back to Gowran, where her father received her with open arms, and made much of her.

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